{"id":808,"date":"2024-11-22T17:29:33","date_gmt":"2024-11-22T17:29:33","guid":{"rendered":"https:\/\/oidaeditorial.com\/?page_id=808"},"modified":"2024-11-30T16:06:35","modified_gmt":"2024-11-30T16:06:35","slug":"gerard-bidegain-i-figuerola","status":"publish","type":"page","link":"https:\/\/oidaeditorial.com\/index.php\/autores\/gerard-bidegain-i-figuerola\/","title":{"rendered":"Gerard Bidegain i Figuerola"},"content":{"rendered":"\n
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Es defineix com a \u00abmodernista fora d\u2019\u00e8poca i gaudini\u00e0 del Montserrat\u00ed\u00bb. \u00c9s d\u2019Esparreguera i nascut el 1990 a Barcelona, amb arrels al Prat de Llobregat i a Vilaverd. \u00c9s membre de la companyia Teorema Teatre i de l\u2019ACD. Durant sis temporades ha estat Director art\u00edstic del Festival LOLA de teatre professional d\u2019Esparreguera.<\/p>\n<\/div><\/div>\n\n\n\n

Es va graduar en Art Dram\u00e0tic -especialitat en Direcci\u00f3 i Dramat\u00fargia- per l’Escola Superior d’Art Dram\u00e0tic de l’Institut del Teatre i es va llicenciar en Hist\u00f2ria per la Universitat de Barcelona. Tamb\u00e9 s’ha format a l’Obrador Internacional de Dramat\u00fargia de la Sala Beckett.<\/p>\n\n\n\n

\u00c9s autor dels textos dram\u00e0tics Caurem plegats<\/em>, Fruits secs<\/em> i L\u2019afinador<\/em>, de la companyia LoPereBufa, amb qui ha estrenat els seus guions originals Un tast de tot<\/em>, on interpreta al poeta Joan Oliver-Pere Quart, i Pensaments pelsigats<\/em>, on encarna Antoni Gaud\u00ed.<\/p>\n\n\n\n

Altres obres seves s\u00f3n Estival<\/em> (2018) i Vict\u00f2ria<\/em> (2020) (Ed. Institut del Teatre, Aix\u00f2 \u00e9s un Drama\/ScannerFM), Amic dilect\u00edssim<\/em> (2021, Ed. Setsetset-ACPC) i Judes tra\u00eft<\/strong><\/em><\/a> (2019, Rema12, Off Cartell<\/em> | 2024, Oid\u00e0 Editorial).<\/p>\n\n\n\n

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S\u2019ha vinculat molt a la vida cultural de la seva vila, com a articulista en publicacions locals i com a actor a La Passi\u00f3 d’Esparreguera<\/em>, actualment en el personatge de Judes Iscariot. Com a historiador, va publicar el llibre biogr\u00e0fic \u00abRamon Torruella Satorra, poeta de La Passi\u00f3 d\u2019Esparreguera\u00bb <\/em>(2019, Ed. Setsetset-ACPC).<\/p>\n\n\n\n

Treballa com a actor, director teatral i dramaturg en projectes on combina la teatralitat i la divulgaci\u00f3 hist\u00f2rica i cultural, creant espectacles i projectes per a la Instituci\u00f3 de les Lletres Catalanes, els Museus de Martorell, la Fundaci\u00f3 Francesc Pujols i Morgades, el Museu Arqueol\u00f2gic de l\u2019Esquerda (Roda de Ter), la Festa del Timbaler del Bruc, el Cementiri de Sabadell o el Centre Picasso de G\u00f3sol, entre d\u2019altres. Tamb\u00e9 \u00e9s t\u00e8cnic de Patrimoni Cultural i Mem\u00f2ria Hist\u00f2rica a Abrera, on lidera projectes de recuperaci\u00f3 de mem\u00f2ria oral, divulgaci\u00f3 patrimonial i coordinaci\u00f3 de projectes arqueol\u00f2gics.<\/p>\n\n\n\n

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OID\u00c0 EDITORIAL \u00b7 Audiollibre teatral<\/h2>\n\n\n\n

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Es defineix com a \u00abmodernista fora d\u2019\u00e8poca i gaudini\u00e0 del Montserrat\u00ed\u00bb. \u00c9s d\u2019Esparreguera i nascut el 1990 a Barcelona, amb arrels al Prat de Llobregat i a Vilaverd. \u00c9s membre de la companyia Teorema Teatre i de l\u2019ACD. Durant sis temporades ha estat Director art\u00edstic del Festival LOLA de teatre professional d\u2019Esparreguera. Es va graduar […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":591,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-808","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/pages\/808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/comments?post=808"}],"version-history":[{"count":8,"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/pages\/808\/revisions"}],"predecessor-version":[{"id":856,"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/pages\/808\/revisions\/856"}],"up":[{"embeddable":true,"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/pages\/591"}],"wp:attachment":[{"href":"https:\/\/oidaeditorial.com\/index.php\/wp-json\/wp\/v2\/media?parent=808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}